Why I Never Threw Away My Game Boy E-mail
Games Essays Etc
Written by Phoebe Raven, CC2K TV Editor   

ImageI grew up in a very liberal household. My mom was very modern and gave me a lot of freedom. At the same time though she wanted me to become a smart kid and encourage my love for reading, which I exhibited from a very early age. This meant she tried her best to keep me away from television and video games as much as possible, because she regarded both as a waste of time and, frankly, stupefying. First she failed with TV, for the simple reason that she wasn’t home enough to monitor my consumption, hence I know every episode of MacGyver, Star Trek: The New Generation and Baywatch. But when a friend of my mom’s, who I referred to as an “aunt” back in the day, gave me a Game Boy when I was 11, my mom thought she had lost the battle against video games as well. She was wrong.

Fast forward a decade and you will see I outgrew my Game Boy rather quickly and yet never moved on to any other game console. Very seldom, maybe once a year or so, I still get out my badly battered old friend and play a level or two for nostalgia’s sake and to rehash some happy childhood days. Back in the day there was cause for alarm for a while, because my hands were practically super-glued to my Game Boy and the blocks of “Tetris” followed me all the way into my dreams.
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Television Collision: The Reliable Contradiction of Kerr Smith E-mail
Television Collision
Written by Phoebe Raven, CC2K TV Editor   
ImageThe Winter Olympics – as much as I loved watching parts of it (especially Curling, as you may have noticed) – have disrupted our TV schedules for what seems to have been an eternity. Now there’s March Madness going on - more cause for delays, and then there is only a few weeks left until all the season finales will have aired and we are left to our own devices and Summer TV.

So, in an effort to find something to tide me over this rough patch, I have gone back to an old classic that people still refer to all the time, but mostly in a pejorative way, which is in part undeserved. Yes, I am currently in a marathon Dawson’s Creek rewatch session!
What brought this on, you ask? Well, mainly the reappearance of Kerr Smith on the face of television in the CW’s new drama Life Unexpected. The show is actually not as bad as I had expected and not as juvenile as some of the other stuff the CW has put out before. And when I saw Kerr Smith as the responsible and lovable boyfriend, who we all know is going to “lose the girl” in the end (because the irresponsible, childish manboys always supposedly win a woman’s heart), I remembered that there had previously been a time when I had liked Kerr Smith. The times of Dawson’s Creek.

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Wolf Hall: Today's War and Peace E-mail
Books Current Reviews
Written by Greg M. Schumaker, Special to CC2K   

ImageOur culture loves a good player. From Casanova to Bruce Wayne, Cherie to Carrie Bradshaw, we’ve all spent our lives admiring those who love getting laid. And there’s one particular man of the British boudoir that we just can’t get rid of: Henry VIII.

Where he was once known as a fat guy with high blood pressure and enough testosterone fit for an elephant—as recently as 2003 he was played by not-so-hot Ray Winstone in a UK miniseries—today King Henry VIII is hunky and multilayered, a misunderstood, yet hot, piece of man-meat. Look no further than Jonathan Rhys Meyers in Showtime’s The Tudors and Eric Bana in 2008’s The Other Boleyn Girl.  In the 16th century, Hollywood-style, all the girls have perfect skin and bursting bosoms; the men tight abs and cheekbones you could shave a ham on.

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Character Sketches #9: Marvel's The Klaw E-mail
Comics Essays Etc
Written by Gary M. Kenny, CC2K Comics Editor   

ImageThe Klaw aka: The Master of Sound. It's hard to be afraid of a guy who wears a pink leotard and has a satellite for a hand. Regardless on how badass or powerful the status of a villain is, if someone's thinking about going into a life of crime, the costume colors to stay away from are: pink, baby (powder) blue, and lavender. Not because they are "sissy colors" but because bright colors don't hide well in the shadows, hence you never see any inner city gangs wearing pink jackets, well, I guess if they would if they sang show tunes and danced on stage. Anyway, though he might not be the toughest or scariest looking villain, there is still plenty to fear in "the Klaw" and that's why he deserve this month's CC2K character sketch.

 


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Television Collision: An Ode to HBO E-mail
Television Collision
Written by Phoebe Raven, CC2K TV Editor   

ImageHBO holds a “Get out of Jail Free Card” in my book. Where I would get mad at other networks for mixing up airing schedules or delaying an episode or a season finale for a week or two, I forgive HBO and still hold it in high esteem. In my book there is not a lot HBO can do wring. So how did HBO get this “GooJFC” you ask? Well, have you looked at their track record recently?

If there is one network you can count on to continuously deliver quality television, it is HBO. (If you’re a prude, maybe it’s not so much your thing, but then I say you don’t know what you’re missing.) Over the years HBO has given us shows that changed the face of television forever – or at least in some cases should have done so but some TV execs never learn.

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Sex Sells, and So Does Crap: The Plight of Literary Fiction E-mail
Book Nook Main
Written by Beth Woodward, CC2K Books Editor   

ImageLast week, I read Tony Lazlo’s article “What Best-Selling Crap Can Teach Us,” and it got me thinking: what exactly distinguishes commercial fiction from literary fiction?  Can commercial fiction be literary?  And can literary fiction be commercial?

There’s no way to settle this question definitively unless we define our terms.  According to the voice of authority—Wikipedia—literary fiction is defined as a term used to distinguish “serious fiction (that is, work with claims to literary merit) from the many types of genre fiction and popular fiction (i.e. paraliterature).”  Okay, so that helps us…not at all.  Literary and commercial fiction are basically defined by what the other is not.  Commercial fiction is popular, whereas literary fiction is less so.  Literary fiction is “serious” whereas commercial fiction is not.  Literary fiction has literary merit, whereas commercial fiction does not.  (And to the person or persons who decides whether a book has “literary merit”: who died and made you the Book God?)

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Review: Cop Out E-mail
Movies Current Reviews
Written by Kit Bowen, Special to CC2K   

It's silly. It's a throwback. Here's the surprise: It's not bad.

ImageIs it a Cop Out to make a throwback to the '80s buddy cop comedy instead of doing something original? Maybe, but at least it'll make you laugh out loud a few times. 

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CC2K News, Quick Takes and More

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“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for...

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Women in Horror Month: My Favorite Feminist in Horror: John Carpenter

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At a time when there weren't many female producers, John Carpenter promoted his "script girl" Debra Hill to be his producing and writing partner. The rest is cinematic history. Together they created the iconic monster Michael Meyers, and the ultimate Final Girl in Laurie Strode, who is still the gold...

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